I came to Shanghai largely by accident back in the late twentieth century and found a city of art deco and modernism, of influences form east and west – then far less developed, smaller and more intimate, as if a dust sheet had been thrown over the city in 1949 and the metropolis underneath left to await a new era. The old city, the once international city that was the most modern in Asia – jazz, skyscrapers with elevators, streamline moderne villas, a hundred nationalities living cheek-by-jowl was still, seemingly, just within reach. I’ve never stopped being fascinated by that old world, or writing about it.
Published in 1933 Mao Dun’s Midnight is the Chinese novel that most accurately shows the harsh effects of the freewheeling capitalism that characterised old Shanghai in its international treaty port days. The city’s great wealth is built on low wages, awful conditions, and exploitation. This is Shanghai as a powder keg about to explode.
Malraux’s novel is perhaps the most intricately atmospheric novel of old Shanghai, written in 1933 but set amid the 1927 Lefist Uprising and the massacre that follows. Malraux weaves the stories of Chinese revolutionaries, Russian agents, stateless refugees, foreign businessmen and poor workers into a portrait of the city. It is also a book that shows Shanghai as the most modern city in Asia between the world wars – neon, traffic jams, jazz….
Shanghai, 1927, and revolution is in the air. As the city becomes caught up in violence and bloodshed, four people's lives are altered inexorably: idealist and intellectual Kyo Gisors, one of the leaders of the Communist insurrection, who is also trying to deal with his own marital strife; Ch'en Ta Erh, an assassin and terrorist brutalized by killing; Baron de Clappique, a French gambler, opium dealer and gun runner; and Russian revolutionary Katov, who calmly watches events unfold, until he has to make the ultimate sacrifice. Each of these men must try to resolve their personal conflicts amid political turmoil,…
Set in wartime Shanghai in a time of espionage, betrayal, and murder. Chang knew of what she wrote – her own husband worked for the pro-Japanese collaborationist Chinese government of Wang Jing-wei and was considered a traitor. It’s a wartime novel where bombs don’t fall and soldiers don’t fight but everyone, including the main character of Wang Chia-chih (based on a real-life Nationalist Chinese spy Zheng Pingru, but with a fair amount of Chang herself thrown in), is faced with issues of resistance, collaboration, fighting back or staying quiet. A novella, but no less a masterpiece for being short.
A major motion picture (2007) from Oscar-winning director Ang Lee (Crouching Tiger, Hidden Dragon; Brokeback Mountain): an intensely passionate story of love and espionage, set in Shanghai during World War II.
In the midst of the Japanese occupation of China and Hong Kong, two lives become intertwined: Wong Chia Chi, a young student active in the resistance, and Mr. Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai’s tea parties and secret interrogations, they become embroiled in the complicated politics of wartime—and in a mutual attraction that may be more…
Riichi, an experimental, modernist Japanese writer, was perfectly suited to Shanghai, always an experimental modernist city. Shanghai was written after the author’s extended sojourn in Shanghai in the late 1920s. It is a fever dream of a city, cosmopolitan, deracinated, and louche yet almost impossible to grasp. Riichi’s Shanghai is not totally naturalistic yet his novel amazingly embodies the very spirit of old Shanghai.
Published serially between 1928 and 1931, Shanghai tells the story of a group of Japanese expatriates living in the International Settlement at the time of the May 30th Incident of 1925. The personal lives and desires of the main characters play out against a historical backdrop of labor unrest, factional intrigue, colonialist ambitions, and racial politics.
The author, Yokomitsu Riichi (1898-1947), was an essayist, writer, and critical theorist who became one of the most powerful and influential literary figures in Japan during the 1920s and 1930s. He looked to contemporary avant-garde movements in Europe -- Dadaism, futurism, surrealism, expressionism --…
This is a collection of short stories by one of China’s modernist masters, mostly translated by Andrew Field. However, Mu is largely forgotten and rarely read now either in Chinese or in translation. The reason is simple – he chose to collaborate with the Japanese in World War Two. Yet his short stories are so emblematic of old Shanghai, its dancehalls and bars; nightclubs and bordellos. Mu moves through a Shanghai demimonde of Chinese and foreigners, gangsters and tycoons, imported whisky, and Shanghainese cuisine. His writing is the epitome of the nighttime neon-lit old photography of the city we are so familiar with; his characters those we see on the old pre-war black and white movies from Shanghai’s film studios.
Shanghai’s “Literary Comet” When the avant-garde writer Mu Shiying was assassinated in 1940, China lost one of its greatest modernist writers while Shanghai lost its most detailed chronicler of the city’s Jazz-Age nightlife. Mu’s highly original stream-of-consciousness approach to short story writing deserves to be re-examined and re-read. As Andrew Field argues, Mu advanced modern Chinese writing beyond the vernacular expression of May Fourth giants Lu Xun and Lao She to reveal even more starkly the alienation of a city trapped between the forces of civilization and barbarism in the 1930s. Mu Shiying China’s Lost Modernist includes translations of six…
1930s Shanghai could give Chicago a run for its money. In the years before the Japanese invaded, the city was a haven for outlaws from all over the world: a place where pasts could be forgotten, fascism and communism outrun, names invented, fortunes made – and lost. ‘Lucky’ Jack Riley was the most notorious of those outlaws. An ex-Navy boxing champion, he escaped from prison in the States, spotted a craze for gambling, and rose to become the Slot King of Shanghai. Ruler of the clubs in that day was ‘Dapper’ Joe Farren – a Jewish boy who fled Vienna’s ghetto with a dream of dance halls. His chorus lines rivaled Ziegfeld’s and his name was in lights above the city’s biggest casino.
In 1940 they bestrode the Shanghai Badlands like kings, while all around the Solitary Island was poverty, starvation, and genocide. They thought they ruled Shanghai; but the city had other ideas. This is the story of their rise to power, their downfall, and the trail of destruction they left in their wake.
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will they destroy each other? And more importantly, how will humans tolerate their own creations, the robots, on this planet?
In this, his latest speculative fiction novel, Shane Joseph, returns to the “what if” questions facing humanity that he raised in After the Flood, a book that won him the…
With Chatbots and Large Language Models changing the world of writing and publishing dramatically, what happens when we introduce a sentient robot capable of feelings into the mix?
Phil Kruger, inventor, and serial womanizer, believes he has the answer in his creation, Victoria, the first sentient robot in the world, imbued with beauty, knowledge, and strength and on a crash course to acquire human feelings through massive infusions of data. Arrayed against him are independent trade publisher Artemius (Art) Jones and his rebellious and sexually starved daughter, Paula, an editor herself, who is determined to take her father's failing press,…
